![]() Sam Raimi’s 2002 film “Spider-Man” is one of the most influential comic book films of all time, helping to solidify for Hollywood what a “comic book movie” even was at a time when adaptations were scattershot at best. – AC Sam Raimi’s Spider-Man Trilogy Sony Pictures The story takes place at a small orphanage where the ghost of a young boy haunts the halls and its inhabitants, all while the threat of the war encroaching on the orphanage’s grounds looms. 2001’s “The Devil’s Backbone” is a Spanish-language ghost story set against the backdrop of the Spanish Civil War in 1939. The Devil’s Backbone Warner Sogefilms A.I.E.įilmmaker Guillermo del Toro’s third film put him on the map in a big way – and for good reason. As the numbers of alien imposters mount, Sutherland and his colleagues (including Leonard Nimoy) try to outrun the growing threat, culminating in a true “humdinger” of an ending. Donald Sutherland stars as a San Francisco health inspector who begins to discover that humans are being taken over by alien doubles. Who says all remakes are bad? The 1978 version of “Invasion of the Body Snatchers” is a terrifying and thematically rich update of the 1955 novel that was first adapted into a film in 1956. – AC Invasion of the Body Snatchers (1978) United Artists Philosophical conversations are interspersed with feelings of dread and horror, as Garland masterfully weaves a tale about what it means to be human. creation (played by Alicia Vikander) is sentient. The film hails from writer/director Alex Garland, whose knack for telling smart (and thought-provoking) sci-fi stories ranges from “Annihilation” to “Devs.” In “Ex Machina,” Isaac plays an enigmatic billionaire who summons a programmer (played by Domhnall Gleeson) to his remote compound to assess whether his A.I. – Adam ChitwoodĪ heady sci-fi two-hander with an iconic dance break from Oscar Isaac, 2014’s “Ex Machina” contains multitudes. This one’s a trip and has one of the most startling and unforgettable final shots in recent memory. As he starts trying to track down his “double” (with Gyllenhaal playing dual roles), his life as he knows it starts to crumble around him. If you’re a fan of Denis Villeneuve’s “Dune” or “Arrival” and psychological thrillers, you owe it to yourself to check out his truly mind-bending 2013 film “Enemy.” Jake Gyllenhaal stars as a college history professor living in Toronto who rents a movie and spots an actor who looks exactly like him. Combine all of that with some of De Palma’s greatest suspense set pieces and one of his very best endings, and you’ve got a slyly satirical thriller that felt like it came out a couple of years too late – it’s a 1970s movie that happened to open in 1981. Full of post-Watergate paranoia and unease, with peerless performances (John Lithgow also stars as the assassin who becomes an impromptu serial killer in an effort to cover up his crime) and stunning cinematography (by Vilmos Zsigmond). This leads him along the path of a brutal mystery, as he falls in love with the survivor of the attack (an adorable, ditzy Nancy Allen) and becomes a target himself. While attempting to record sounds for a B horror movie, he accidentally records an assassination. John Travolta stars as a sound recorder working for a low-rent production company in Philadelphia. Arguably Brian De Palma’s very best film, which is a feat considering how many modern classics he is singlehandedly responsible for, “Blow Out” was dismissed upon its initial release in 1981 and only in the years since has been properly reevaluated.
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